楊楓:影片是今年初殺青的,在西北遼陽、調兵山搭的地鐵站的景。我的攝影機並非放到整個臨城(臨沂,清光緒時稱作臨城),村、莊、舍觀眾們是看不出的,都被大霧覆蓋。攝影機就聚焦在火地鐵站和鄰近的廣場以及棚戶區,呈現出一個輕工業小城的面貌,當地就是煤礦業。同時做為國軍當年的交通樞紐,劫掠的化學物質從這走,軍用物資從連雲港下船,也要從這過。如此構築了這兒的日與夜。不去過...
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